ScreenMDM is your new trusted source for all the developments in the global business of content distribution and monetization. Media intelligence, reinvented. Created by Mansha Daswani.
The theme of convergence runs across MIPCOM Cannes this year as the event embraces the creator economy, vertical video, branded entertainment, and AI, Lucy Smith says. “MIPCOM has to reflect now the broader global content industry. We’ve always seen ourselves as reflecting the way the market’s changing. We really are at the intersection of so many different new audiences and new pieces.”
Cecilie Olsen, SVP for global content, non-scripted, at ITV Studios, joins ScreenMDM Talks to discuss how the company has curated a MIPCOM lineup focused on buyers’ needs for brands, access, and premium quality.
"We want to build more IP with international potential and play a bigger role in its success over the long term. That means focusing our resources on the projects and partnerships where we believe we can make a real difference—creatively and commercially."
Rebecca Dundon, SVP of scripted content for global drama at Fremantle, shares her perspectives on the state of the business today, weighing in on investment and windowing strategies and the keys to successful co-productions.
Elena Lyalina, CEO and producer at Polydont Films, shares the origin story of Nick the Mechanic, a CG preschool series that WildBrain recently acquired the distribution rights to.
Paramount Global alum Katie Pike joined Primitives earlier this year as director of sales and acquisitions, tasked with building upon the impressive track record of the Belgian indie’s curated slate, which includes the fast-growing 99 to Beat and the buzzy adventure reality competition Terrain: Battle of the Flags.
ScreenMDM is your new trusted source for all the developments in the global business of content distribution and monetization. Media intelligence, reinvented. Created by Mansha Daswani.